Entertainment

Ashish Sahasrabuddhe’s Dream of Screening His Film Comes True in Sydney Cinema

Published

10 months ago

September 1, 2024

sangricommunications

Sydney (New South Wales) [Australia] : These days Common man does not have time to even dream about anything when he is buried in his fulltime job, Commute and daily chores.

Ashish Sahasrabuddhe, Common man from Sydney Australia once dared to dream of making a film and release it in Cinema Hall. He was able to carve his path to the filmmaking while balancing his day-to-day job, routine and daily chores.

Originally from Pune, no background in family, no formal training behind the camera or in front of the Camera, constantly moving against the flow, with his own experiments, failures, determination, consistent efforts without giving up was able to watch the release of his Own Hindi Film “Socially Suna Hai” in Cinema Hall on 11th August 2024 in Sydney Australia.

To backtrack on his educational background, he completed his education in a Marathi Medium school, but he had an interest in the Technology sector and IT Programming. With his limited English skills, he faced initial challenges in learning the intricacies of learning computer programming languages in his initial exposure to the field. Rather than succumbing to disappointment, Ashish refused to give up. Although everyone around him pursued traditional careers like CA or CWA, he still chose to follow his passion for computers. He never followed the crowd and always stayed true to what he loved, whether it was learning to play the Tabla or enjoying the traditional Marathi Dholki. However, despite his efforts, on many occasions, he was replaced by someone better at the last minute. Almost every time when it was show time, he felt overshadowed and under-appreciated by the crowd around him. He decided to pursue a career in IT rather than running after Art.

Ashish Sahasrabuddhe, Director of THINK GRAND FILMS and Marvel9 pvt ltd, notes on his journey “My confidence kept me moving forward on my path, although I felt that something somewhere was missing, and my potential was stagnating, as I wasn’t able to achieve everything I had aimed for so far in my life; I decided to step up to the challenge and left my comfort zone, by moving to Hyderabad, where I tested my mettle in new technologies. From there, job opportunities took me to the UK, America, and the Middle East, where corporate life, with its exceptional challenges, taught me extremely valuable lessons. My confidence, English-speaking skills, and various other abilities were honed, tested and improved significantly.”

Eventually, an opportunity arose that brought Ashish to Sydney. Here, he settled down with his job, family, and home, finding a city that offered Pune’s cool climate, San Francisco’s work culture, and an excellent work-life balance. However, his desire to do something in the arts never faded. Learning from past experiences, Ashish decided to take matters into his own hands and began working on film projects independently.

Ashish’s journey was not a solo endeavour. His wife, Poonam Sahasrabuddhe, who had her own successful acting career, played a significant role in their creative partnership. From 2001 to 2004, she acted in various Marathi and Hindi television shows, including “Damini,” “Sambandh” (SAB TV), “Aflatoon” (SAB TV), “Popat Zala Re” (ETV Marathi), “Chaar Diwas Sasuche” (ETV Marathi), “Samantar” (ETV Marathi), “Yeh Dil Kya Kare” (Zee TV), “Kirdaar” (ETV Urdu), “Bandini” (Doordarshan), and “Don’t Worry Ho Jaega” (Sahara TV). She was also nominated for the Best Anchor award by Maharashtra Times for “Popat Zala Re.” Her experience and insights have been invaluable in Ashish’s filmmaking journey, making her an integral part of their shared creative pursuits.

In 2016-17, Ashish created an English film titled *”Just One More Day,”* which taught him a great deal about filmmaking. Following this, he produced numerous user videos and rap videos, refining his skills along the way. The concept of *”Arrived in Australia”* emerged from his interest in connecting new entrepreneurs in Australia with the Marathi community through interviews, helping Marathi entrepreneurs expand their reach.

During the COVID-19 lockdown, when traditional filming was impossible, Ashish came up with the idea of creating a web series using mobile phones and remote directions. He wrote a script and involved several artists from Sydney, Melbourne, and Perth to create the first web series called *”Oh My Friends.”* This experience boosted his confidence, leading him to create another web series about his first job experience in Australia, titled *”Oh My Job.”*

Ashish states “I always wanted to do something in Marathi, and after the lockdown lifted in 2021, I started my ideation process to make a film in my mother-tongue, Marathi. I created my first ever Marathi dominant 50-minute short-film called *”Ghar Impossible,”* involving actors and cast of a multitude and rich backgrounds and ethnicities, based on various events in the Australian market.”

With the new-gained confidence that even Marathi is an amazing medium to propagate the messages he wants to reach his audience through his films, he gained the determination to make his first-ever full-length feature Marathi film (1 hour, 13 minutes) in Sydney, Australia, titled, ’The Filmmaker’. Taking on the responsibilities of concept creation, scriptwriting, and direction, Ashish completed the project with Indian, Chinese, and Australian actors residing in Sydney. Without any commercial backing and relying solely on his own savings, Ashish brought this film to life.

The storyline of “The Filmmaker” is deeply rooted in reality, portraying the challenges a common man faces when venturing into the film industry—how people mock you, deceive you, and how even friends might fail to help or pull you down. These aspects resonate not just with filmmakers but with anyone endeavouring enough in starting their own business.

The film won the Best Writer award at the Marathi International Film Festival in New Jersey, USA, and won Best Experimental Film at the CAFE IRANI CHAII INTERNATIONAL FILM FESTIVAL in Mumbai. English-speaking audiences appreciated the film, and thanks to English subtitles, viewers in Australia could easily understand it.

Ashish has created a six-episode series, focusing on the topic of men’s struggles and expectations from society, in English-Hindi.

Recently he Directed a Hindi Film and released it in Cinema halls. Being on an altogether new trajectory, he worked 3-4 months tirelessly day and night to make it ready to be shown in the Cinema halls. This time, he wrote the screenplay and background score. This film release has put him to the next level of appreciation in the public’s eye. The astounding response made first-time viewers re-watch the film. Following this, Ashish plans to work on more film projects, including another Hindi film, for which he has already written the script, and plans to begin casting and filming soon, all set to be made in Sydney, Australia.

Reflecting on his journey, Ashish is proud of what he has accomplished. From being an ambition-filled person in Pune to actually achieving his dreams and becoming a producer, writer, editor, and director in Sydney, Ashish Sahasrabuddhe’s story is a testament to perseverance and passion. Despite all his achievements, he still considers himself just a mundane person, continuing to pursue his dreams with the same determination that brought him to where he is today.

Instagram: Ash.live.Sydney

Watch his films and web series on YouTube: Ash.live.sydney

Entertainment

Emergence Returns with the Third Edition of ‘Those Who Know, They Know’ – A New-Age Music Experience Driven by Innovation

Published

1 week ago

June 24, 2025

sangricommunications

Emergence returns on June 28, 2025, in Mumbai with its third immersive music edition, redefining India’s event experience.

Mumbai (Maharashtra) [India] : After two groundbreaking editions, Emergence is back with the third edition of its flagship music property, ‘Those Who Know, They Know’, scheduled for 28th June, 2025, in Mumbai. What began as a bold experiment in immersive event production has now become one of the most anticipated music experiences in the country.

Founded by Akash Kothari, along with co-founders Rachit Desai and Vidhanth Jain, Emergence has steadily built its reputation as one of India’s most forward-thinking event companies, blending technology, sound, and storytelling into experiences that go far beyond conventional nightlife. With Neel Mistry playing a pivotal role in leading production, the event’s technical finesse and flawless execution have only become sharper with each edition.

Each year, Those Who Know, They Know evolves in scale and vision. The inaugural edition in 2023 featured a 200-foot LED wall, setting new standards for live production aesthetics. In 2024, the second edition stunned the audience with India’s first-ever 3D hologram Visual Experience — a feat that captured attention worldwide. Now, in its third year, the show promises to deliver even more: This year, the experience ascends further with cutting-edge 3D holograms, 3D Moonroof projections with show-day surprises still under wraps.

Despite its enigmatic name, this is not a niche or invite-only event. Those Who Know, They Know has seen exponential growth in attendance — 3,000+ attendees in its first year, over 5,000 in the second, and now aims to welcome 7,000+ music lovers in 2025. Tickets are available through official platforms BookMyShow and are open to all — it’s the experience that filters the crowd, not the guest list.

“Our goal is not just to throw an event; it’s to craft an experience that resonates long after it’s over,” says founder Akash Kothari. “We’ve always approached this with a creative mindset — keeping the core of the music culture intact while introducing world-class experience every year.”

Unlike typical commercial events that rely heavily on mainstream names or trends, Those Who Know, They Know focuses on conceptual delivery, narrative-driven design, and a community-first spirit.

The production is layered with custom visuals, high-concept stagecraft, lighting design, and a soundscape engineered to create a fully immersive environment — something Emergence has become known for across its properties.

With other iconic events like Rang Utsaav under its belt, Emergence has carved out a niche where culture, creativity, and community intersect. The company’s deep understanding of experience design, combined with its commitment to pushing boundaries, makes each of its properties stand apart in a saturated space.

Those Who Know, They Know — Edition 3 promises to be not just a show, but a defining moment in India’s experiential event calendar.

Tickets are available on the official platform, BookMyShow. More than a Festival, this is a movement — and it’s growing.

HURRY!!! Book your Tickets Now on the given link: https://in.bookmyshow.com/events/those-who-know-they-know-mumbai-2025/ET00433932

Entertainment

Abhishek Malhan Takes a Stand Against Trolling Culture, Calls Out Influencer Sufi for Mocking Creators

Published

2 weeks ago

June 20, 2025

sangricommunications

Influencer and YouTuber Abhishek Malhan responds with dignity after facing misrepresented backlash over comments addressing online bullying.

In a rare but necessary moment of assertiveness, popular content creator Abhishek Malhan has taken a bold stand against toxic online behavior by calling out fellow influencer Sufi for repeatedly mocking and belittling creators. What began as a calm and respectful critique quickly escalated into a distorted controversy, fueled by misleading headlines and a fabricated narrative.

A viral article recently accused Abhishek of using a derogatory term in a now-circulating video snippet—an accusation that has been thoroughly debunked by viewers and fact-checkers alike. No such slur was used in the video, nor was any comment made that targeted gender identity or personal background. Instead, Abhishek addressed the consistent trolling behavior displayed by Sufi, who has been called out previously for his sarcastic takes on influencers’ appearances and content choices.

Twisted Headlines, Misrepresented Intent

The controversy stems from a video clip in which Abhishek candidly expresses frustration over Sufi’s constant judgment of other creators, particularly over outfits and personal moments. However, the backlash did not center around the actual content of the video—but on a false narrative suggesting that Abhishek had crossed a line.

“This is not about hate. It’s about putting an end to unnecessary negativity,” a source close to Abhishek stated. “He’s always been respectful. This was about drawing the line on behavior that has gone unchecked for far too long.”

What followed was a wave of support from fans and fellow creators who agreed with Abhishek’s point of view—many of whom have themselves been at the receiving end of Sufi’s content, including jokes around Triggered Insaan’s wedding and others’ personal fashion choices.

Breaking Down the Manufactured Narrative

The article in question not only used a misleading headline but failed to include Abhishek’s perspective or a response from his team—an oversight that undermines journalistic integrity. Here’s a breakdown of the key issues:

Fabricated Language Use: The article falsely claimed Abhishek used the slur ‘chakka’, which he never did. This claim has been proven false by the video itself.
Distorted Intent: Abhishek criticized judgmental behavior—not any individual’s identity or background.
Lack of Context: The article omitted the months of prior trolling behavior that Sufi engaged in, isolating a snippet to mislead readers.
No Balanced Reporting: The piece did not include Abhishek’s statement or comments from his side, reflecting biased reporting.
Ignored Audience Sentiment: Public frustration with Sufi’s style of content was left unaddressed, despite being a key part of the conversation.

When Standing Up Is Mistaken for Aggression

Abhishek’s statement was neither aggressive nor disrespectful. It was a mature response to a trend that many believe is polluting the content ecosystem—mockery in the name of “roasting.”

“Standing up for yourself and others doesn’t make you aggressive. It means you respect your space and the community you’re part of,” said a fellow influencer who publicly supported Abhishek.

The situation brings into focus a larger conversation around influencer culture, online etiquette, and the responsibility of creators to maintain a respectful discourse.

The Bigger Picture

While the controversy around a single statement may fade, the issue at its core remains significant: when is criticism constructive, and when does it become cruelty?

Abhishek Malhan’s stance may have sparked debate, but it also served as a much-needed reminder that calling out negative behavior isn’t wrong—and silence isn’t always golden. In a digital space where creators are expected to accept judgment without protest, his voice stood out for being calm, firm, and necessary.

Entertainment

Sunil Kothari Unveils Title of His Most Awaited Film – AVYAAN

Published

3 weeks ago

June 9, 2025

sangricommunications

Sunil Kothari Unveils Title of His Most Awaited Film AVYAAN

Varanasi (Uttar Pradesh) [India] : Acclaimed businessman and philanthropist Sunil Kothari has officially revealed the title of his most anticipated cinematic venture — AVYAAN — a deeply emotional and culturally rooted film that pays tribute to the timeless soul of Bharat’s traditions.

The title was unveiled on his official Instagram Account (https://www.instagram.com/sunilkothari1962/), where the announcement quickly captured attention and admiration from fans, industry peers, and the global Indian community.

Produced by Sunil Kothari, AVYAAN is a heartfelt narrative that explores the beauty of simplicity, tradition, and inner reflection — offering a mirror to India’s cultural values and emotional depth.

Directed by Gaurav Khati, the film’s poetic visual tone is brought to life by celebrated cinematographer Chandan Kowli, whose lens captures every frame with grace and authenticity.

A collaboration with Urban Boat Films, AVYAAN is more than a film — it is a soulful journey shaped by storytelling that resonates with meaning, emotion, and purpose.

“AVYAAN is about returning to simplicity. It reflects who we are — through emotion, tradition, and the lens of culture,” shares Sunil Kothari.

The first-look poster, depicting a golden-hued riverside at dusk, beautifully sets the tone for a film that invites audiences into a world of spiritual and emotional discovery.

Stay tuned for more updates as AVYAAN unfolds — a cinematic experience anchored in the essence of Indian heritage, brought to life by Sunil Kothari and his creative team.