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Malayalam Cinema Shines at Cannes: Payal Kapadia’s Triumph and Abhijit Adhya’s Trailer Premiere Introducing Ajumalna Azad Illuminate Global Stage

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Cannes (France) : The prestigious Cannes Film Festival has once again showcased the brilliance of Malayalam cinema. This year, Payal Kapadia’s film “All We Imagine as Light” took home top honors, while Abhijit Adhya’s eagerly anticipated trailer for “Aadrika,” starring the talented Malayalam actress Ajumalna Azad, made a powerful impression on the global audience.
Ajumalna Azad, an Indian actress and model, is making significant strides in the Malayalam film industry. In “Aadrika,” she plays a parallel lead alongside Donovan Wodehouse and Niharica Raizada who graced the red carpet at Cannes this year. Ajumalna portrays Maya, a strong and outgoing character trapped in a strange house with a friend, struggling to survive.
Following her debut in “Aadrika,” Ajumalna has completed three more Malayalam films: “Two Men Army,” “Behind,” and “Prethangalude Koottam,” all awaiting release in the coming months. Her versatile acting and striking screen presence are poised to captivate audiences and critics alike.
On asking about incorporating multiple languages in a regional film, the director of “Aadrika, Abhijit stated ” I am thrilled to share my thoughts on the importance of incorporating multiple languages in regional cinema. The decision to create a trilingual film was driven by our desire to break down linguistic barriers and reach a broader audience while preserving the rich cultural essence of the region.
In today’s interconnected world, audiences are increasingly diverse and multilingual. By embracing multiple languages, we not only honor the linguistic diversity within our own region but also invite viewers from different linguistic backgrounds to engage with our stories. This approach allows us to expand our reach, making our films accessible to a larger and more varied audience.
Using multiple languages in “Aadrika” has enabled us to maintain the authenticity and essence of the regional narrative. We have carefully woven the linguistic elements into the storyline, ensuring that the cultural nuances and regional flavors remain intact. This approach enriches the storytelling, providing a more immersive and relatable experience for the audience.
Furthermore, this multilingual approach fosters a deeper connection among viewers, promoting cultural exchange and understanding. It opens up avenues for dialogue and appreciation of the diverse linguistic heritage within our country and beyond. This, of course, now is a proven fact as Payal’s trilingual film won both hearts and awards at the 77th Cannes Film Festival.
I believe that incorporating multiple languages in regional cinema is a welcome change that reflects the evolving landscape of the film industry, especially the acceptance by Malayalam audiences. It is a powerful tool that helps us bridge gaps, connect with a wider audience, and celebrate the beauty of our regional identity while embracing the diversity that defines us.
The trailer’s premiere at Cannes, alongside the acclaim for Kapadia’s “All We Imagine as Light,” underscores the growing global recognition of Malayalam cinema, celebrating its dynamic storytelling and exceptional talent.
The film is produced by Margaret SA, The Garage House, Raizada Entertainments and Uniiq Films.

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Abhishek Malhan Takes a Stand Against Trolling Culture, Calls Out Influencer Sufi for Mocking Creators

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Abhishek-Malhan

Influencer and YouTuber Abhishek Malhan responds with dignity after facing misrepresented backlash over comments addressing online bullying.

In a rare but necessary moment of assertiveness, popular content creator Abhishek Malhan has taken a bold stand against toxic online behavior by calling out fellow influencer Sufi for repeatedly mocking and belittling creators. What began as a calm and respectful critique quickly escalated into a distorted controversy, fueled by misleading headlines and a fabricated narrative.

 

A viral article recently accused Abhishek of using a derogatory term in a now-circulating video snippet—an accusation that has been thoroughly debunked by viewers and fact-checkers alike. No such slur was used in the video, nor was any comment made that targeted gender identity or personal background. Instead, Abhishek addressed the consistent trolling behavior displayed by Sufi, who has been called out previously for his sarcastic takes on influencers’ appearances and content choices.

 

Twisted Headlines, Misrepresented Intent

The controversy stems from a video clip in which Abhishek candidly expresses frustration over Sufi’s constant judgment of other creators, particularly over outfits and personal moments. However, the backlash did not center around the actual content of the video—but on a false narrative suggesting that Abhishek had crossed a line.

 

“This is not about hate. It’s about putting an end to unnecessary negativity,” a source close to Abhishek stated. “He’s always been respectful. This was about drawing the line on behavior that has gone unchecked for far too long.”

 

What followed was a wave of support from fans and fellow creators who agreed with Abhishek’s point of view—many of whom have themselves been at the receiving end of Sufi’s content, including jokes around Triggered Insaan’s wedding and others’ personal fashion choices.

 

Breaking Down the Manufactured Narrative

The article in question not only used a misleading headline but failed to include Abhishek’s perspective or a response from his team—an oversight that undermines journalistic integrity. Here’s a breakdown of the key issues:

  • Fabricated Language Use: The article falsely claimed Abhishek used the slur ‘chakka’, which he never did. This claim has been proven false by the video itself.
  • Distorted Intent: Abhishek criticized judgmental behavior—not any individual’s identity or background.
  • Lack of Context: The article omitted the months of prior trolling behavior that Sufi engaged in, isolating a snippet to mislead readers.
  • No Balanced Reporting: The piece did not include Abhishek’s statement or comments from his side, reflecting biased reporting.
  • Ignored Audience Sentiment: Public frustration with Sufi’s style of content was left unaddressed, despite being a key part of the conversation.

 

When Standing Up Is Mistaken for Aggression

Abhishek’s statement was neither aggressive nor disrespectful. It was a mature response to a trend that many believe is polluting the content ecosystem—mockery in the name of “roasting.”

 

“Standing up for yourself and others doesn’t make you aggressive. It means you respect your space and the community you’re part of,” said a fellow influencer who publicly supported Abhishek.

 

The situation brings into focus a larger conversation around influencer culture, online etiquette, and the responsibility of creators to maintain a respectful discourse.

 

The Bigger Picture

While the controversy around a single statement may fade, the issue at its core remains significant: when is criticism constructive, and when does it become cruelty?

 

Abhishek Malhan’s stance may have sparked debate, but it also served as a much-needed reminder that calling out negative behavior isn’t wrong—and silence isn’t always golden. In a digital space where creators are expected to accept judgment without protest, his voice stood out for being calm, firm, and necessary.

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Sunil Kothari Unveils Title of His Most Awaited Film – AVYAAN

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Sunil Kothari Unveils Title of His Most Awaited Film AVYAAN

Varanasi (Uttar Pradesh) [India] : Acclaimed businessman and philanthropist Sunil Kothari has officially revealed the title of his most anticipated cinematic venture — AVYAAN — a deeply emotional and culturally rooted film that pays tribute to the timeless soul of Bharat’s traditions.

The title was unveiled on his official Instagram Account (https://www.instagram.com/sunilkothari1962/), where the announcement quickly captured attention and admiration from fans, industry peers, and the global Indian community.

Produced by Sunil Kothari, AVYAAN is a heartfelt narrative that explores the beauty of simplicity, tradition, and inner reflection — offering a mirror to India’s cultural values and emotional depth.

Directed by Gaurav Khati, the film’s poetic visual tone is brought to life by celebrated cinematographer Chandan Kowli, whose lens captures every frame with grace and authenticity.

A collaboration with Urban Boat Films, AVYAAN is more than a film — it is a soulful journey shaped by storytelling that resonates with meaning, emotion, and purpose.

“AVYAAN is about returning to simplicity. It reflects who we are — through emotion, tradition, and the lens of culture,” shares Sunil Kothari.

The first-look poster, depicting a golden-hued riverside at dusk, beautifully sets the tone for a film that invites audiences into a world of spiritual and emotional discovery.

Stay tuned for more updates as AVYAAN unfolds — a cinematic experience anchored in the essence of Indian heritage, brought to life by Sunil Kothari and his creative team.

 

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What’s cooking between Adarsh Gourav & TECNO: POVA phone spotted before launch

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POVA phone spotted before launch

 

Mumbai’s buzzing celeb corridors got more than just star sightings this week—The White Tiger actor Adarsh Gourav was spotted outside Andheri café holding what looked like 10s of smartphones. As the paparazzi swarmed him with questions, the actor answered casually—until they asked him about the phones.

“Kaha se aa rahe ho?” they asked. “Itne saare phones kiske liye?” he was asked. Adarsh, cool as ever, smiled and responded vaguely to the former—but completely ignored the latter. Suspicious? Just wait.

As he turned to leave, jumping down a step, he twisted his foot—a moment that may go down in paparazzi history—and all the phones in his hand tumbled to the ground. The clattering of glass and confusion drew even more cameras. In a low voice, he was heard saying, “Please cut this part.” But the internet? It never cuts anything.

Now, here’s where things get even more interesting: those phones weren’t just any phones—they appear to be the upcoming, unreleased TECNO POVA Curve series, set to launch on May 29th. So why was Adarsh carrying multiple units? Is he the new brand ambassador? Is this part of a larger, strategic marketing campaign?

 

Fans and internet sleuths are piecing the puzzle together. Some believe this entire incident was a carefully crafted “leak stunt” to drive buzz around TECNO’s new launch. Others think Adarsh was just caught off guard, holding onto several devices.

Either way, the stunt—or accident—has sparked massive intrigue online. Memes are flying across Instagram with captions like “When your exes call at the same time” and “Bro casually dropping my 3 months’ salary”.

With the brand’s launch date reportedly before May 29th, the timing seems too perfect to be a coincidence. So we ask again: Is Adarsh Gourav the face of TECNO’s next big release? And more importantly—who will drop the next clue?

Check here: https://www.instagram.com/p/DKHCRP5sJPf/

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